The Songwriting Podcast: songwriters talking about songwriting
Join the family & learn how to write better songs, in any style
We’re here to help you write better songs, and help you progress in your songwriting journey.
Every Tuesday, we talk to a songwriter from any style and from any ability level to explore techniques that will actually help you write better, more memorable and more successful songs. Since November 2013, we’ve talked to many songwriters, from beginners to professionals and everything in between and had a blast each and every show. Join us and get those songs moving!
Singer/songwriter Nolan Hubbard, originally from Gananoque, Ontario, brought us some summer sunlight through his stories and two of his catchy, tuneful songs – “Today” and “Sandbanks”. In this informative and entertaining program we talked about:
Up and coming singer-songwriter and Humber College music student Sean Bertram joined us to talk about his education and his chord-based approach to songwriting. Blair Packham subbed in for Phil – thanks Blair! And welcome to Raphael, our new technical and audio specialist – welcome to the team!
The very talented singer-songwriter and improvisational artist Rachel Raditz brought one song to Song Talk Radio that she had written previously. The other she made up on the spot in the middle of the program. “Back in Hali” about a friendship that might be more set in Halifax had an unconventional structure and a melody that grabbed us by the ears. Rachel’s powerful and original voice brought made the song engaging throughout. Her second song featured completely improvised lyrics, melodies, and harmonies, was sung acappella using a loop device to surprising and entertaining effect.
Jenny Perez is a classically trained pianist and vocalist. She’s recently begun her journey as a singer-songwriter, bringing her classic flavours to her modern songwriting. For this show, Jenny was accompanied by Sherry Jacoby on guitar and backup vocals.
We talked about:
the difference between classical and modern pop singing
the learning your technique debate: how much technique is too much?
going from the major to the minor on the same letter (eg. G-major to G-minor) in your chord progression
gettin’ all free and easy with your tempo
how much perfect rhyming can you stand before its gets too cheesy? Check out rhymezone.com
the guys argued over the pros and cons of having deliberately provocative lyrics