The Songwriting Podcast: songwriters talking about songwriting
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We’re here to help you write better songs, and help you progress in your songwriting journey.
Every Tuesday, we talk to a songwriter from any style and from any ability level to explore techniques that will actually help you write better, more memorable and more successful songs. Since November of 2013, we’ve talked to many songwriters, from beginners to professionals and everything in between and had a blast each and every show. Join us and get those songs moving!
The extraordinarily talented singer-songwriter and producer Marlon Chaplin joined us to talk about his crafty approach to songwriting, and share two songs. Dave Miner also joined us to fill in for Bruce as co-host. Thanks a million, Dave, you were great!
Bruce, Neel and Phil were all happy to have Patrick Ballantyne back in the Song Talk Radio studio for the third time. He always brings great songs (listen to “Make Believe” and “Sky” for proof) and lots of experience to share about the songwriting process for our listeners. When writing a song, he starts with the music – almost always on the guitar. For contrast, he has started writing on the piano where he has less competency and is forced to “keep it simple.” After writing solo for many years, he recently joined a group of collaborators and enjoyed the process.
Pianist, producer, and songwriter Andrew Seok stopped by and talked about the process of creating music for his new Musical “Echos”. Andrew Seok (also known as just SEOK) has written music for Television, Recording Artists, Movies, and pretty much everything including the music you hear when call a company and you’re put on hold. He began his career as a Musical Theatre singer and composer, moved onto Vocal Coach, then Singer / Songwriter, and finally TV / Film Composer and Record Producer / Mixing and Mastering engineer. Throughout his career he has worked with / for Jully Black, Jeff Healy, Feist, Raine Maida, and produced God Made Me Funky’s Juno nominated album.
For our latest theme show, we take a look at some of our favorite Protest Songs and try to figure out what makes an effective one. We looked at River Runs Red by Midnight Oil, Eve of Destruction by P.F. Sloan, and Phil talks about how his band The Parkdale Hookers, went about writing their punk-anthem Multi-Media Word and talked about how not to date a protest song.
Listen to the Full Episode:
Stuff we talked about:
Pathetic Fallacy: The phrase pathetic fallacy is a literary term for the attributing of human emotion and conduct to all aspects within nature. It is a kind of personification that is found in poetic writing when, for example, clouds seem sullen, when leaves dance, or when rocks seem indifferent
Objective correlative: a literary term referring to a symbolic article used to provide explicit, rather than implicit, access to traditionally inexplicable concepts as emotion or color.
Jeff Greenway returned to the Song Talk Radio studio to share his thoughts on song writing. His approach to writing is through a feeling, not a theory. This was amply demonstrated in the two songs he shared with us. The first, Cavalry, evoked the sadness and confusion you feel when a relationship just isn’t working any more. No one is coming to save the day and there’s nowhere to hide. The second tune, I Need describes the two opposing sides of possible reconciliation. Notice the lyric shift from “don’t come home” to “please come home”. We discussed: