Moody, original and unexpected are three words that describe the song writing of Louis Moon.
He started his musical life when he took piano lessons at age seven. Three years ago, influenced by Korean Hip Hop artists, he began to create his own beats. More recently he added lyrics and his own voice to the mix. On this program you’ll hear two Louis Moon songs; “With You” and “Morrissey Love”. We talked about:
Toronto and Mississauga-based singer-songwriter Ashley Braga joined us for two live performances and insights into her unique approach to songwriting. While most songwriters turn largely inwards to write, Ashley provides a service writing songs for other people, based on their relationships and emotions. Often the songs are for engagements, weddings, or funerals.
Kirk Felix arrived at our little studio with a whole band; bass, violin (fiddle), and cajon. As we did our sound check the Song Talk crew all savoured the gentle, soothing and heart-warming sounds of a folk ensemble. Patrick Ballantyne sat in for Neel Modi who was on assignment. In addition to two very authentic folk songs (Dusty Roads and Whispering Peace), we talked about:
Born in England, raised in The Netherlands, Paul Vos shared two of his songs with us at Song Talk Radio.
The first was “Lost Along the Way” a song about finding love when you least expect it. Listen for the awesome 80’s background vocals on the chorus! The second tune, “Heaven in My Hands” had us all dancing to its funky beat and tasty guitar licks. It also sparked a lively discussion on the merits and possible pitfalls of repetition in a song. Over the course of the program we also talked about:
writing songs with only a bass line or a beat
How some lyrics sound like something else when they’re heard (like “re-find it”)
How long should a pre-chorus be?
How a song can benefit from a bridge, a breakdown, or an instrumental interlude
Whether a singer’s vocal style should change dramatically during a song
I hope you’re not like me and just keeping all your songs just in your head, It’s a bad habit I’ve developed over the years and one I’m still working against.
I’m especially bad at writing my lyrics down, which is surprising considering how bad I am at writing lyrics. You’d think I would want to capture anything that comes out after many hours of frustrating work.
We get to see a lot of lyrics here at Song Talk Radio. Every guest submits lyrics to us before they appear on the show and we use them as a way of notating what we like, etc. And although everyone seems to have a different approach, they almost all have some critical omissions.
They won’t make you famous if they can’t contact you
The biggest mistake we see is the lack of any kind of contact information on lyric sheets. You never know where you lyrics will wind up (perhaps someone will come across your amazing words in a year or two and want to give you truck-loads of cash, which would suck it they can’t get in touch with you), so you want to make sure that you have all your contact info on the sheet visible – it will also make legal ownership of the song a bit easier to confirm in the future. (Here’s a bit of trivia for you: at one time in the US, if you published a song without a copyright notice, it was considered to be in the Public Domain.)
You’ll obviously want to include your name and/or your band name, a phone number and an email address as everything is done vie email these days (even scheduling phone calls!).
Also, include your website if you have one. If you only have a Soundcloud page, simply purchase a cheap domain name from one of our favourite domain sellers, and just point your new domain name to your Soundcloud page. If, in the future, you want to use a different service to showcase your work — perhaps you’ll have your own website by then or just offer you music on iTunes — you can change where the domain points to – all your old lyric sheets will remain accurate.
AND, since you now have your own domain name, use your domain’ed email on your lyric sheets (so if you have the “MaryMarksRocks.com” domain, create an “info” or “email@example.com” and auto-forward it to your Gmail or present email service. If, in the future, you change from Gmail to some other mail service, just change where your “marymarksrocks.com” email forwards to.
Getting your own domain is super simple and stupid cheap. The company I use for such a thing is easyDNS.com. They’re based in Toronto, the president is a great songwriter himself, they are an all around dependable company and have been around since the 90s’.
Ensuring you get paid
If you’re in Canada, you might as well register your songs with SOCAN (the Society of Composers, Authors and Music Publishers of Canada – no, I can’t figure out how they came up with SOCAN either ). Registering your songs is free and is always a good habit to get into, This brings in the next most important part. Read more
Piper Hayes is a New York born singer/songwriter currently living on the outskirts of Hamilton, Ontario – home to a burgeoning arts scene. Piper started writing her own songs because she couldn’t play other people’s songs on her guitar. On this fast-paced and informative show, she sang “You’re Gone” and “Honey” and we talked about:
musical theatre training and the singer/songwriter
Singer/Songwriter Jordan Paul stopped by with a couple of brilliant songs. His sound has been described as “if Queen, Mimicking Birds, Radiohead, and Led Zeppelin all had a beautiful love-child.” A clever songwriter at only 24–his writing and musicality is well beyond his years and his voice is otherworldly. Paul’s new single ‘Rain’ is coming out on limited-edition 7” vinyl from Leesta Vall Records, featuring Andrew Scott of legendary Canadian band Sloan on drums.
What can you say about the exceptionally talented poet, novelist, and prolific singer/songwriter Leonard Cohen.that hasn’t already been said? Well, the Song Talk Radio action team didn’t worry about that. Bruce, Neel, and Phil simply dove into their memories and had a close look at three of his many, many songs. Bruce brought the poetic Bird on a Wire (1969), Neel shared the dark and foreboding Everybody Knows (1980’s), and Phil had us pay attention to one of Cohen’s last recordings, the prescient Leaving the Table (2016).
The Song Talk Team had the distinct pleasure of spending an hour with the very talented and original singer/songwriter Dan Edmonds. His fresh takes on music and how it’s made were both illuminating and engaging. He played two of his intriguing recordings – “Love Can Be a Tunnel” and “To Be That Needle”. We talked about:
improvising lyrics in the recording studio
letting the listener make their own meaning from the words