chords

Nolan Hubbard and his happy summer tunes

Singer/songwriter Nolan Hubbard, originally from Gananoque, Ontario, brought us some summer sunlight through his stories and two of his catchy, tuneful songs – “Today” and “Sandbanks”. In this informative and entertaining program we talked about:

  • Douglas Romanow producer
  • Recording in Nashville
  • Organizing your own cross-Canada tour (with your Dad)
  • Metalworks recording studio and school – performance program
  • Covers on YouTube
  • “Today” – a call to action, no chorus, whistling, G to G Augmented, C to Cminor
  • Finding a publicist – Hype Music, Toronto
  • Collaborating vs. writing on your own
  • “Sandbanks” – lots of lyrics, variations, tempo changes, instrumental bridge

Here are the lyrics for Today and Sandbanks

nolanhubbard.com

@nolanhubbard

facebook.com/nolanhubbardmusic

https://www.youtube.com/channel/UCehutQn4uLaof89VAtuAEQw

 

Neel, Blair, Sean, Bruce, Vanessa, and Raphael

Chord-based and conversational songwriting with Sean Bertram

Up and coming singer-songwriter and Humber College music student Sean Bertram joined us to talk about his education and his chord-based approach to songwriting. Blair Packham subbed in for Phil – thanks Blair! And welcome to Raphael, our new technical and audio specialist – welcome to the team!

We talked about:

  • why bother making an album anymore
  • writing as a hopeless romantic
  • why do we ( as humans) write songs?
  • writing outside typical “campfire chords
  • developing lyrics based on your chord choices
  • conversational storytelling: rhyme schemes and writing two verses before hitting the chorus
  • Song Studio
  • using falsetto in your songs

Listen to the show

Download the lyrics for Closure and She’ll Ruin Me.

Watch the live performances

 

Sherry. Bruce, Jenny, Phil, Nicole, and Neel

Bridging classical and modern idioms with Jenny Perez

Jenny Perez is a classically trained pianist and vocalist. She’s recently begun her journey as a singer-songwriter, bringing her classic flavours to her modern songwriting. For this show, Jenny was accompanied by Sherry Jacoby on guitar and backup vocals.

We talked about:

  • the difference between classical and modern pop singing
  • the learning your technique debate: how much technique is too much?
  • going from the major to the minor on the same letter (eg. G-major to G-minor) in your chord progression
  • gettin’ all free and easy with your tempo
  • how much perfect rhyming can you stand before its gets too cheesy? Check out rhymezone.com
  • the guys argued over the pros and cons of having deliberately provocative lyrics

Listen to the show

Download the lyrics for Mr. Tinder

Watch the live performances

Connect with Jenny

http://jenniferperezmusic.com/

https://www.facebook.com/Jennifer-Perez-Music-1426411830986082/

Neel, Bruce, Jordan, Vanessa, and Phil

Jordan Paul returns with some awesome ambient sitar sounds

Jordan Paul returned to the Song Talk Radio studio on Gould Street in Toronto with a surprise – a beautifully handcrafted sitar. And he played it! In this detour from his usual singer/songwriter explorations, Jordan Paul combines samples with his own sitar playing to create mesmerizing melodies and soundscapes. In this fascinating program you’ll learn about:

  • the parts of a sitar
  • how to play the sitar
  • Indian music
  • taking sitar lessons
  • ambient music
  • improvisation in the studio

Contact Jordan Paul

Artist website:
http://www.jordanpaul.ca

Twitter:
http://www.twitter.com/jordanpaulmusic

Facebook:
http://www.facebook.com/jordanpaulmusic

YouTube:
http://www.youtube.com/jordanpaulmusic

SoundCloud / MySpace:
http://www.soundcloud.com/jordanpaulmusic

 

Listen to the groovy program

Neel, Bruce, Melanie, Vanessa, and Phil

All about the pre-chorus

The show you’ve all been waiting for…or maybe that was just Neel. The Song Talk Radio Team tackles the subject of the pre-chorus; what it is, what it does for a song, and why have one? Singer/songwriter Melanie Peterson joined us to perform one of her songs as an example, “Been So Long.” To add a few more examples to the mix, Phil brought “Buddy Holly“, a short catchy tune by Weezer, Bruce brought Beige Shelter‘s latest release “Light Your Way” (by Adi Aman and Neel Modi), , and Neel presented “Head Like a Hole” by Trent Reznor of Nine Inch Nails.

We talked about:

  • How the pre-chorus relates to song structure
  • How is a pre-chorus different from a bridge?
  • How it amps up the energy
  • How is the pre-chorus different from the verse and the chorus?
  • Neel and Adi’s co-writing process for Light Your Way – check out Neel’s blog post on this

Download the lyrics for:

Listen to the show

See the live performance

Phil, Vanessa, Stacey, Bruce, and Neel

Waxing poetic with Stacey Dowswell

Singer-songwriter Stacey Dowswell joined us to talk about her literature-inspired and poetic take on songwriting with two original songs, Ties that Bind and Wax Wings. We talked about:

  • Poetic vs. more straight forward lyrics
  • How to add complexity to a simple 1-4-5 chord progression
  • How to incorporate a cliche
  • Contrast and space
  • Using dynamics in your performance
  • The benefits of noodling around to start a song

Check out Stacey’s EP release show at The Painted Lady in Toronto on June 15, 2017!

Listen to the show

Download the lyrics for Ties that Bind and Wax Wings.

Watch the live performance

Connect with Stacey

Artist website:
http://www.staceydowswell.com

Twitter:
http://www.twitter.com/staceydowswell

Facebook:
https://www.facebook.com/StaceyDowswellMusic/

YouTube:
https://www.youtube.com/channel/UCP0H6OEQCUyg1Fq3rXe7doA

Patrick Ballantyne – master songwriter

Popular guest co-host and guest on Song Talk Radio, Patrick Ballantyne dropped by the studio to share two of his well-crafted songs. “Where Things Used to Be” is great example of the skillful combination of melody, structure, and lyrics to evoke a strong feeling of longing in the listener. Listen to the bridge in particular and the completely surprising chord on the word “dreams”. Patrick’s song “Plans” starts with a great line, “In California there are dates in the trees…” and connects to “dates on my calendar”. The message of a man who sees that he must change is both poignant and honest. As we discussed the tunes, we talked about:

  • “Hit-a-month” project
  • Having a manager
  • How tasty an E flat chord can be in the key of G
  • The use of “pause” in songwriting
  • Co-writing and collaboration
  • Ticket sales and merchandise (how to make money in music)
  • Kickstarter, Go Fund Me, FACTOR
  • Lifting a song through chord progressions
  • Natural or loads of experience?
  • Rhymezone.com for alternative rhymes

Listen to the show here

 

Neel, Sarah, Charlotte, Vanessa, Phil, and Patrick,

Commanding pop songwriting with the Command Sisters

Young pop sensations the Command Sisters (Charlotte and Sarah) joined us to talk about writing as a sibling duo and working with producers. Patrick Ballantyne filled in for Bruce.

We also talked about:

  • how to write a 2-chord song
  • the musical Book of Mormon
  • whether to repeat lyrics in each chorus
  • the challenge of writing direct lyrics vs. abstract lyrics
  • when editing, do you change the lyrics or the melody?

Download the lyrics for the songs, Back To You and Low Profile.

Listen to the show

Watch the live performances

Connect with the Command Sisters

Command Sisters website

Facebook

Instagram

Twitter

youTube

Joel, Phil, Carmen, Emily, and Bruce

Doin’ that Blues Thang with Emily Mac

Emily Mac is a singer-songwriter and a regular at our Songwriter’s Roundtable Meetup. She joined us with piano player Joel to perform and talk about two of her songs, Back to the Rhythm and When It’s Gone. Special guest host Carmen Toth filled in for Neel. We talked about:

  • how learning to play an instrument helps to ground your accapella writing
  • why it’s good to be the stupidest person in the room (when collaborating)
  • how songwriting is like working a muscle
  • Stevie Nicks
  • Muscle Shoals
  • Carmen’s (best ever) explanation for millennial whoops in pop songs: “You have to write lyrics that a drunk person can sing”
  • opportunuties for changes through lyrics, arrangements, and musical centres
  • why you should hold back if you’re a strong singer

Listen to the whole show:

Connect with Emily:

Website

Instagram

Twitter

youTube

Facebook

Neel, Bruce, Vanessa, Braeden, and Phil

Why work with a producer? with Braeden Mitchell

Braeden Mitchell returned to Song Talk Radio for his third visit and contributed to a very lively and informative discussion of songwriting and recording. He shared two songs with us,  Glory Days and Everyday Girl, both from his upcoming EP release. We talked about:

  • moving from a pop-rock sound to a folk-country style
  • a producer’s influence on approach, arrangements, structure, and more
  • why perform songs in a club to “test-drive” them before recording
  • how co-writing helps create a better song
  • working with Oh Susanna
  • how to meet other song writers (at shows just say, “hello, I loved your song”)
  • Braeden’s upcoming EP release show at the Dakota Tavern
  • Murphy’s Law’s of Songwriting

Listen to the complete show

Follow along with the lyric sheets

Glory Days

Everyday Girl

Watch the performance videos

Connect with Braeden

Website

Twitter

Facebook

youTube

Instagram

Soundcloud