The very talented singer-songwriter and improvisational artist Rachel Raditz brought one song to Song Talk Radio that she had written previously. The other she made up on the spot in the middle of the program. “Back in Hali” about a friendship that might be more set in Halifax had an unconventional structure and a melody that grabbed us by the ears. Rachel’s powerful and original voice brought made the song engaging throughout. Her second song featured completely improvised lyrics, melodies, and harmonies, was sung acappella using a loop device to surprising and entertaining effect.
Popular guest co-host and guest on Song Talk Radio, Patrick Ballantyne dropped by the studio to share two of his well-crafted songs. “Where Things Used to Be” is great example of the skillful combination of melody, structure, and lyrics to evoke a strong feeling of longing in the listener. Listen to the bridge in particular and the completely surprising chord on the word “dreams”. Patrick’s song “Plans” starts with a great line, “In California there are dates in the trees…” and connects to “dates on my calendar”. The message of a man who sees that he must change is both poignant and honest. As we discussed the tunes, we talked about:
Having a manager
How tasty an E flat chord can be in the key of G
The use of “pause” in songwriting
Co-writing and collaboration
Ticket sales and merchandise (how to make money in music)
Unleashed Dreams brought their epic, new age, neo-classical music to Song Talk Radio. Lindsay Walker (lyricist/singer) and Sean Michael Paddison (composer, producer, and pianist) have a mission. They want to create and distribute music that empowers people to transform their lives and live their dreams. Their first song, “Deep”, is powerful. It recounts the challenges of going inside for some serious soul-searching. “Trust” had a meditative quality. It uses a wash of repeating lyrics and multi-layered production. We talked about:
coaching through music – it touches hearts and souls
Braeden Mitchell returned to Song Talk Radio for his third visit and contributed to a very lively and informative discussion of songwriting and recording. He shared two songs with us, Glory Days and Everyday Girl, both from his upcoming EP release. We talked about:
moving from a pop-rock sound to a folk-country style
a producer’s influence on approach, arrangements, structure, and more
why perform songs in a club to “test-drive” them before recording
For our Valentine’s Day special, each member of the Song Talk Radio team brought a favourite love song too woo our listeners. All the songs were very different, and we each had a different take on what makes a good love song:
Bruce appreciates authentic, honest expressions of love
Neel likes it when there’s a nuanced message
Vanessa looks for a specific emotional response in the listener
Etain likes sincere and from the heart love songs that you can dance to
Phil likes honesty and originality in his “happy” love songs, and
favourite twitter follower of the show, Sharon (@SharonRose2012), said “Love songs should make you remember what it’s like to be in love.”
We also talked out:
writing songs from a gay perspective
modern songwriting melodies
ska music vs. reggae
verse / refrain / B section song structure
Putting a twist on the default “I love you” message
Listen to the whole show:
Check out the love songs we love to love:
Here’s the team’s top picks, and even some great love songs that didn’t make it to show!
Bruce’s pick for the show was a song written by a gay songwriter:
And Bruce’s runner-up pick, a classic love song:
Etain’s pick for the show was a quirky and cheeky 80’s song:
Neel’s pick was an earnest and upbeat, catchy love song with a twist:
and Neel’s second choice (not featured on the show) was a quirky duet about loving in the biggest way possible:
Phil chose the first song he ever heard when he realized “that’s a great song”:
Phil also considered a beautiful new wave song for the show:
Vanessa brought a gorgeous, folky ballad by Jewel:
She also considered a collaboration song by Macklemore and Ryan Lewis
And our twitter followers contributed to the conversation with their favourites:
I hope you’re not like me and just keeping all your songs just in your head, It’s a bad habit I’ve developed over the years and one I’m still working against.
I’m especially bad at writing my lyrics down, which is surprising considering how bad I am at writing lyrics. You’d think I would want to capture anything that comes out after many hours of frustrating work.
We get to see a lot of lyrics here at Song Talk Radio. Every guest submits lyrics to us before they appear on the show and we use them as a way of notating what we like, etc. And although everyone seems to have a different approach, they almost all have some critical omissions.
They won’t make you famous if they can’t contact you
The biggest mistake we see is the lack of any kind of contact information on lyric sheets. You never know where you lyrics will wind up (perhaps someone will come across your amazing words in a year or two and want to give you truck-loads of cash, which would suck it they can’t get in touch with you), so you want to make sure that you have all your contact info on the sheet visible – it will also make legal ownership of the song a bit easier to confirm in the future. (Here’s a bit of trivia for you: at one time in the US, if you published a song without a copyright notice, it was considered to be in the Public Domain.)
You’ll obviously want to include your name and/or your band name, a phone number and an email address as everything is done vie email these days (even scheduling phone calls!).
Also, include your website if you have one. If you only have a Soundcloud page, simply purchase a cheap domain name from one of our favourite domain sellers, and just point your new domain name to your Soundcloud page. If, in the future, you want to use a different service to showcase your work — perhaps you’ll have your own website by then or just offer you music on iTunes — you can change where the domain points to – all your old lyric sheets will remain accurate.
AND, since you now have your own domain name, use your domain’ed email on your lyric sheets (so if you have the “MaryMarksRocks.com” domain, create an “info” or “email@example.com” and auto-forward it to your Gmail or present email service. If, in the future, you change from Gmail to some other mail service, just change where your “marymarksrocks.com” email forwards to.
Getting your own domain is super simple and stupid cheap. The company I use for such a thing is easyDNS.com. They’re based in Toronto, the president is a great songwriter himself, they are an all around dependable company and have been around since the 90s’.
Ensuring you get paid
If you’re in Canada, you might as well register your songs with SOCAN (the Society of Composers, Authors and Music Publishers of Canada – no, I can’t figure out how they came up with SOCAN either ). Registering your songs is free and is always a good habit to get into, This brings in the next most important part. Read more