Up and coming singer-songwriter and Humber College music student Sean Bertram joined us to talk about his education and his chord-based approach to songwriting. Blair Packham subbed in for Phil – thanks Blair! And welcome to Raphael, our new technical and audio specialist – welcome to the team!
The very talented singer-songwriter and improvisational artist Rachel Raditz brought one song to Song Talk Radio that she had written previously. The other she made up on the spot in the middle of the program. “Back in Hali” about a friendship that might be more set in Halifax had an unconventional structure and a melody that grabbed us by the ears. Rachel’s powerful and original voice brought made the song engaging throughout. Her second song featured completely improvised lyrics, melodies, and harmonies, was sung acappella using a loop device to surprising and entertaining effect.
The show you’ve all been waiting for…or maybe that was just Neel. The Song Talk Radio Team tackles the subject of the pre-chorus; what it is, what it does for a song, and why have one? Singer/songwriter Melanie Peterson joined us to perform one of her songs as an example, “Been So Long.” To add a few more examples to the mix, Phil brought “Buddy Holly“, a short catchy tune by Weezer, Bruce brought Beige Shelter‘s latest release “Light Your Way” (by Adi Aman and Neel Modi), , and Neel presented “Head Like a Hole” by Trent Reznor of Nine Inch Nails.
Popular guest co-host and guest on Song Talk Radio, Patrick Ballantyne dropped by the studio to share two of his well-crafted songs. “Where Things Used to Be” is great example of the skillful combination of melody, structure, and lyrics to evoke a strong feeling of longing in the listener. Listen to the bridge in particular and the completely surprising chord on the word “dreams”. Patrick’s song “Plans” starts with a great line, “In California there are dates in the trees…” and connects to “dates on my calendar”. The message of a man who sees that he must change is both poignant and honest. As we discussed the tunes, we talked about:
Having a manager
How tasty an E flat chord can be in the key of G
The use of “pause” in songwriting
Co-writing and collaboration
Ticket sales and merchandise (how to make money in music)
Braeden Mitchell returned to Song Talk Radio for his third visit and contributed to a very lively and informative discussion of songwriting and recording. He shared two songs with us, Glory Days and Everyday Girl, both from his upcoming EP release. We talked about:
moving from a pop-rock sound to a folk-country style
a producer’s influence on approach, arrangements, structure, and more
why perform songs in a club to “test-drive” them before recording
Toronto and Mississauga-based singer-songwriter Ashley Braga joined us for two live performances and insights into her unique approach to songwriting. While most songwriters turn largely inwards to write, Ashley provides a service writing songs for other people, based on their relationships and emotions. Often the songs are for engagements, weddings, or funerals.
Kirk Felix arrived at our little studio with a whole band; bass, violin (fiddle), and cajon. As we did our sound check the Song Talk crew all savoured the gentle, soothing and heart-warming sounds of a folk ensemble. Patrick Ballantyne sat in for Neel Modi who was on assignment. In addition to two very authentic folk songs (Dusty Roads and Whispering Peace), we talked about: